Sunday, May 27, 2007

first draft

Special Effects~!! | Script Frenzy: "What you're doing now is writing a first draft. Just write it, and don't worry about how it will be created. This is not the point when you should be self-limiting.

If it helps you get past it, make a list of effects you'll need to create. Just list them, don't worry about how. Know that you can go back to the list later and figure things out.

If you find later on that there's something you just can't create, fine, rewrite then. But for now write it the way you dream it."

Special Effects

Special Effects~!! | Script Frenzy: "The screenwriter is technically not supposed to write anything about effects, camera angle, anything like that. Only if you want to produce it yourself do you include that kind of thing. You can describe what something looks like, but you're not responsible for how to make what you describe."

Holberg' s inspiration

RomanComedy: "Plautus and Terence

The Greek world came to fruition sometime in the 7th c. BC, and was still culturally active throughout the period in which the Roman Empire flourished. By 300 BC Greek culture had subtly shifted over to what would later be called Hellenistic, which refers to the transplanting of Greek ideas and techniques to all parts of the then known world, both East and West. The Jews of Palestine, the populace of Egypt, the Syrians, Armenians and the Romans in their turn were exposed to the indelible influence of Greek thought, just as the Arabs of the 7 c. AD were to be influenced in the same way. It was this fermentative quality in the Greek mind which proved so attractive to less cultivated peoples, and although everybody benefitted, nobody was ever the same again."

Friday, May 25, 2007

Screenplay Structure: Three Acts & Five Points | Script Frenzy

Screenplay Structure: Three Acts & Five Points | Script Frenzy: "You’ve heard of the one-act play. And if you’ve ever watched “Law and Order,” you’ve seen a five-act TV show. So what’s all this talk about a screenplay in three acts? Aren’t the number of acts ultimately up to the screenwriter? Well, the truth is that almost every movie you’ve ever seen was constructed in three well-delineated acts. Some filmmakers take greater pains to disguise their act breaks, but trust me, they’re there, bubbling beneath the witty banter and gravity-defying stunts. ET moves into Elliot’s house? Act break! Guido visits his mother’s grave in Fellini’s 81/2? Act break! Derek Zoolander retires from the world of professional modeling? You got it—a big old obvious act break"

formats

Script Frenzy | Your ticket to creative adventure: "You know what a play is, and you've probably seen published versions before but for the purposes of writing it looks a little different. Some of the formatting of your play is done as you write. Setting up your master file with your tabs and margins makes this much easier. You can use formatting software, but it's certainly not necessary even the most basic word processing program can handle these specs."

Monday, May 21, 2007

script or novel?

Hi Brummies! Anybody from Birmingham (UK) and surrounding areas? | Script Frenzy:
"I have no tv or radio and am spending a lot of time thinking

One thought I would like to share with my fellow Brummies

the basic difference between a novel and a screen play is that the novel is a completed artifact - with a little editorial pruning may be - BUT a screen play is a blue print which a team will work from and modify

a novel is a sculpture

a screen play is a house and you are the architect with the drawings - which you will hand over to a contractor whom you have little control over.

I don't know of a better placing on the boards for this
ideas anyone?"

Friday, May 18, 2007

5000 participants in over 20 countries

about Script Frenzy | Your ticket to creative adventure

from my email:-

Dear Script Frenzy Participant,

Greetings! From time to time, we'll be sending you missives about major new site features that have launched, cool things afoot in the Script Frenzy universe, and, in June, some pep-talking from the scriptwriting front.

We know that your inbox is overcrowded, so we'll keep the emails infrequent and essential.

Which brings us to the great news at hand: Script Frenzy regions are up! This means that you now have your very own regional lounge on the Script Frenzy site where you can exchange advice and encouragement with participants in your area. You can also find out about the Script Frenzy kick-off parties and write-ins being organized by our awesome group of Municipal Liaisons.

To join the merriment in your region, just log in and head to the My Script Frenzy page. In the left-hand navigation, you'll see "Regions" (it's below "My Community" and above "Subscriptions"). Pick the region that's the best fit for you, and click "subscribe," then confirm that you want to subscribe to that region.

Life at this point becomes much more interesting. You can subscribe to as many regions as you like, and you can visit the lounges under the separate "My Regions" block in the left-hand navigation of the My Script Frenzy page. For each region you subscribe to, you'll receive notices from Municipal Liaison/s about events and get-togethers, and have the opportunity to get to know fellow Frenzies in the area as well.

If this sounds confusing, don't worry---it'll all make sense once you see it. Just log in and head on over to My Script Frenzy. Eventually, we're going to append all the regional lounges onto the bottom of the Forums, so they'll all exist in one convenient place. For now, your regional lounge awaits.

In other news, Script Frenzy is on the grow! We have more than 5000 participants signed up in over 20 countries, with more coming in every hour. The more writers we have, the more raucously fun June will be. (And the more people you know personally who are taking part in the adventure, the easier time you'll have staying focused on your scripty epic when June's sweet summery distractions loom.)

Which is why we're encouraging everyone this week to reach out to that creative soul in their cubicle, classroom, or family tree who could use an imagination-expanding summer challenge. We're setting a goal of having 10,000 writers rampaging---er, typing---through the streets of Script Frenzy by next Thursday.

Can we do it? With your help, we can. We'll be posting the total number of participants on the front page of the site every day from now until Thursday.

See you in the Forums!

Chris
Script Frenzy

script frenzy - Google Search

Monday, May 14, 2007

forums on Script Frenzy

DOGME 95 | Script Frenzy

Writing Groups & Clubs | Script Frenzy

Denmark Copenhagen - KĂžbenhavn Danmark | Script Frenzy
Sweden! | Script Frenzy
Hi Brummies! Anybody from Birmingham (UK) and surrounding areas? | Script Frenzy

Forums | Script Frenzy

Searching for EUROPE on | Script Frenzy

How to Format A Screenplay

How to Format A Screenplay | Script Frenzy: "Almost 99% of your script will involve just four elements: Sluglines, Action, Character Names, and Dialogue. Learn how to format the Big Four and you're in the clear."


FONT, MARGINS, AND SPACING

Screenplays live on letter-sized paper (8.5 x 11 inches). They're always written in Courier font, 12 point, 10 pitch. No bold, no italics.

Page Margins:
Left: 1.5 inches
Right: 1 inch
Top: 1 inch
Bottom: 1 inch

Screenplay Element Margins

  • Slugline: left margin 1.5 inches
  • Action: left margin 1.5 inches
  • Character name: left margin 3.7 inches
  • Dialog: left margin 2.5 inches, right margin 2.5 inches (or 6 inches from left edge of page)
  • Parentheticals: left margin 3.1 inches, right margin 2.9 inches

Spacing Between Elements:

  • Between Slugline and Action: double space
  • Between Action and more Action: double space
  • Between Action and Character Name: double space
  • Between Character Name and Dialogue: single space
  • Between Dialogue and the next Character Name: double space
  • Between Dialogue and Action: double space
  • Between Character Name and Parentheticals: single space
  • Between Parentheticals and Dialogue: single space
  • Between Action and Slugline: double space
  • Between Dialogue and Slugline: double space

You know, it's probably a lot easier to remember that in a single character's speech, made up of Character Name, Dialogue, and possibly a Parenthetical, there are single spaces between the elements. Between everything else, double space.

Microsoft Word Templates:
American (uses Styles)
A4 with Metric (uses Styles)

nanowrimo

i got am email invite to write a 20,000 word screen play in June 2007

here we go